Firaaq - The Separation
Firaaq is actor Nandita Das's debut movie (she has done it like a pro, though) and will be remembered as a well-made movie, on the aftermath of Gujarat riots.
This movie was with me for the past one month at least. I was just postponing to watch the serious movie. Whenever I think about Govind Nihalani's 'Tamas' and Kamal's Tamil movie, 'Mahanadhi', I get upset and had decided never to watch very serious movies again. But like I reluctantly watched 'Parzania' I watched this also. And cursed myself when I saw the opening scene of the movie...but because of the impact of the scene, I wanted to watch the whole movie.
The story/stories, is about the lives of people, who were affected badly, immediately after the Gujarat riots in 2002. Nandita does not show any direct violence in the film, but the emotional side of some people who try to come to terms with what had happened and go on with their lives.
After the first disturbing scene in which our Tamil veteran actor Naasser had acted, the movie continues...Naseeruddin Shah, is an old classical singer, who still believes that everything is at peace out there and nothing has changed. Raghuvir Yadav is a person serving him for years but he hasn't got the guts to tell Naseer about the brutal killings. My favourite ghazal singer, Jagjit Singh has given voice for Naseer's humming song, which is very melodious and is the only song in the movie. He rarely goes out of the house and wonders why no one is attending the 'bhaitaks' nowadays. We know about Naseer, but Raghuvir yadav, who is a superb actor, is not lucky enough to get good roles.
Then comes the story of a Muslim family who returns to their home only to find it burnt by rioters. The woman, Muneer (Shahana Goswami) and her Hindu friend and neighbour, used to earn money, by going to the local weddings and applying mehandi in the bride's and other women guests' hands and legs. Now, Muneer goes to a wedding with her friend and the friend places her own bindi on Muneer's forehead to avoid any mis-happenings.
Sameer (Sanjay Suri) and Anu (Tisca Chopra) act as a mixed marriage couple who has to deal with their fears and decision to leave Gujarat for Delhi after their shop was attacked by the rioters. The scene where Sameer, who is an educated person, changes his Muslim surname to his wife's Hindu surname out of sheer fear/weakness, depicts the reality of the situation at that time, in Gujarat.
A child gets lost in the big town, roaming around helplessly after all his family members are killed. The story of this child also gets connected with Deepti Naval who is guilty of being a coward and watching her own family (Paresh Rawal is the husband), which gloats and uses the situation to their advantage. She brings the Muslim child home and tells him not to tell his original name 'Mohsin', but Mohan, if the family asks for it. The conversation scenes between Deepti and the child are the most emotional ones in the movie which prove the immense talent Nandita Das has got.
Nandita has very correctly understood how women have a more humane streak towards people, regardless of whatever faith/creed they are from.
Then the story of a group of Muslim men, all flustered and planning for revenge, which fizzles out in the end with the death of one, in a weird way. The murderous nature, which is hidden behind ordinary people is visible in this scene.
Just one or two scenes show how the people of both faiths were living together happily, before the riots and how slowly some changes and doubts erupted in the friendship between them.
This is not a normal bollywood film with twists and turns and a positive or negative ending. Though I felt at times like watching a documentary movie because of the incompleteness of some incidents, this movie makes us think about our own nature, when faced with this type of situation.
This boy as Mohsin, has acted very well, in the movie. The sadness in his eyes hurts us. I just wonder what will happen to children like him, who are orphaned because of the unnecessary riots in the name of religion in our country or elsewhere in the world. Will they ever be able to lead a normal life like us, or will they become the future terrorists to harm the whole world and themselves, like it is happening now, in Pakistan?
Edited to add(10.11.09): The characters speak (Paresh Rawal's family) a lot of Gujarathi. It was difficult for me to follow!
